Guy is a legend and has taped NIN a bunch of times. Milwaukee, Minneapolis and Lacrosse are all taped by D. It's one of my favorite tapes from the 94-95 tour. But I was also able to obtain a 1st gen copy from the master tape on cassette and I think that sounds a lot better than the silver. Pittsburgh is one of my favorite tapes and I am happy to actually get a physical copy of the silver CDs, as they had always thought to have not existed. Houston is a silver pressed CD, but misses a few songs due to wanting (I assume) to keep this bootleg to one disc. Considering most studios are having a hard time keeping open with just the regular stereo applications, it stands to reason very few of them have expensed this stuff. reverb) are mega expensive compared to their stereo counterparts, and you need to have a semi-regular stream of 5.1 clients to pay it all off. Most consoles require an extra output module to spit out the additional 4 channels, five of the same studio quality monitor tends to be astronomical, plugins and hardware that support 5.1 (i.e. It's also a hell of a lot of money to set up a studio for 5.1 properly. Trent did say at one point that for the 5.1 version of The Fragile (sigh) it was Alan Moulder and himself handling mixing duties there. If I were to hazard a guess, there are people who've been doing two-channel mixes for a long time who are more comfortable with doing two-channel mixes, and there are people who may be overall less experienced with mixing by comparison, but who have a lot more experience doing 5.1 surround mixes.
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